"Symphony No. 9 in D minor, Op. 125: Te Deum Laudamus" by Chor der St. Hedwigs-Kathedrale Berlin was released on 1979. With this song being about 5 minutes long, at 4:40, "Symphony No. 9 in D minor, Op. 125: Te Deum Laudamus" by Chor der St. Hedwigs-Kathedrale Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 15 in Die Himmel rühmen by Various Artists. Symphony No. 9 in D minor, Op. 125: Te Deum Laudamus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in D minor, Op. 125: Te Deum Laudamus by Chor der St. Hedwigs-Kathedrale Berlin is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
Schubert: Erlkönig, Op. 1, D. 328 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Minor | 0 | 3A | 76 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) Presto - Recitativo - Allegro assai | Ludwig van Beethoven, Sir Charles Mackerras, Bryn Terfel, Della Jones, Joan Rodgers, Peter Bronder, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra | D Major | 2 | 10B | 79 BPM | ||
Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" | Carl Maria von Weber, London Symphony Orchestra, Sir Colin Davis | E Minor | 2 | 9A | 72 BPM | ||
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | F Major | 1 | 7B | 138 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | E Major | 1 | 12B | 131 BPM | ||
Schwanensee, Op. 20: Tanz der kleinen Schwäne | Matthias Georg Kendlinger, K & K Philharmoniker | F♯ Minor | 1 | 11A | 116 BPM | ||
Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM |
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