"Die Zauberflöte: Act 1 - Zu Hilfe, Zu Hilfe, Sonst Bin Ich Verloren" by Elisabeth Grümmer, Erika Köth, Sir Georg Solti was released on March 25, 2009. Die Zauberflöte: Act 1 - Zu Hilfe, Zu Hilfe, Sonst Bin Ich Verloren is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #2 out of 48 tracks. Die Zauberflöte: Act 1 - Zu Hilfe, Zu Hilfe, Sonst Bin Ich Verloren is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Zauberflöte: Act 1 - Zu Hilfe, Zu Hilfe, Sonst Bin Ich Verloren by Elisabeth Grümmer, Erika Köth, Sir Georg Solti has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Zauberflöte: Act 1 - Zu Hilfe, Zu Hilfe, Sonst Bin Ich Verloren being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Temerari... Come scoglio (Cosi fan tutte) | Elisabeth Grümmer, Berliner Symphoniker | B♭ Major | 2 | 6B | 127 BPM | ||
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 149 BPM | ||
Stabat Mater, Op. 58, B. 71: IV. Fac, ut ardeat cor meum. Largo | Antonín Dvořák, Peter Mikuláš, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | B♭ Minor | 0 | 3A | 75 BPM | ||
Gotterdammerung (Twilight of the Gods): Act II Scene 4: Heil dir, Gunther! (Vassals) | Richard Wagner, Astrid Varnay, Wolfgang Windgassen, Gustav Neidlinger, Josef Greindl, Hermann Uhde, Elisabeth Grümmer, Maria von Ilosvay, Elisabeth Schärtel, Birgit Nilsson, Dorothea Siebert, Paula Lenchner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Hans Knappertsbusch | A♭ Major | 2 | 4B | 80 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Götterdämmerung, WWV 86D / Dritter Aufzug: "Zurück vom Ring!" | Richard Wagner, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 68 BPM | ||
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
In jener letzten der Nächte | Anton Bruckner, Philipp Sonntag, Robert Holzer, Thomas Kerbl, Regina Riel, Martin Kiener, Daniel Pannermayr, Isabell Czarnecki De Czarnce, Christian Schmidbauer | B Minor | 2 | 10A | 145 BPM |
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