Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber's 'Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen"' came out on January 1, 1973. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #14 out of 30 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" by Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde / Act 3: "Noch losch das Licht nicht aus" | Richard Wagner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber | D Major | 4 | 10B | 135 BPM | ||
Carmen (1997 - Remaster), Act IV: A deux cuartos! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 4 | 9B | 174 BPM | ||
Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?" | Richard Wagner, Margaret Price, René Kollo, Staatskapelle Dresden, Carlos Kleiber | F♯ Minor | 1 | 11A | 172 BPM | ||
Dichterliebe, Op.48: 16. Die alten, bösen Lieder | Robert Schumann, Fritz Wunderlich, Hubert Giesen | D♭ Major | 2 | 3B | 136 BPM | ||
Der Freischütz, J. 277 / Act 3: Entr'acte | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | D Major | 3 | 10B | 116 BPM | ||
Wagner: Tannhäuser, Act 3: "Dahin zog's mich, wo ich der Wonn und Lust" (Tannhäuser, Wolfram) | Richard Wagner, Daniel Barenboim, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | C Major | 3 | 8B | 81 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti" | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 82 BPM | ||
Winterreise, D. 911: No. 4, Erstarrung | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | A Minor | 1 | 8A | 76 BPM | ||
Talismane op.25, No.8: Gottes ist der Orient | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | C Major | 1 | 8B | 91 BPM |
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