"Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato" by Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden was released on January 1, 2009. Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 2 out of 5 in Bruch: Double Concerto, Op. 88 - Canzone for Cello & Orchestra, Op. 55 - Ave Maria, Op. 61 by Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden. In terms of popularity, Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato by Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Canzone in B-Flat Major, Op. 55 (Arr. for Clarinet and Piano) | Max Bruch, Matthias Glander, Wolfgang Kühnl | B♭ Major | 0 | 6B | 65 BPM | ||
Polonaise de Concert in D Major, Op. 4 | Henryk Wieniawski, Joshua Bell, Peter Dugan | D Major | 2 | 10B | 98 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Concerto for 2 Pianos and Orchestra, Op. 88a: IV. Andante - Allegro | Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A♭ Major | 1 | 4B | 74 BPM | ||
Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | ||
El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
Hungarian Dance No. 20 in E Minor: Poco allegretto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | D Major | 3 | 10B | 125 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 3. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | D Major | 2 | 10B | 81 BPM |
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