Bobby Bare made "Come Sundown" available on July 7, 1970. The duration of Come Sundown is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Come Sundown's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "This Is Bare Country". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Come Sundown is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Come Sundown by Bobby Bare having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walking the Streets | Webb Pierce | G Major | 5 | 9B | 134 BPM | ||
Seven Lonely Days | Jean Shepard | G Major | 5 | 9B | 190 BPM | ||
Slowly | Dottie West, Jimmy Dean | D Major | 3 | 10B | 79 BPM | ||
Only The Lonely | Sonny James | E Major | 4 | 12B | 104 BPM | ||
Pick Me Up On Your Way Down | Charlie Walker | F♯ Major | 3 | 2B | 155 BPM | ||
Got No Reason Now For Goin' Home | Johnny Russell | G Major | 5 | 9B | 184 BPM | ||
Hello Daddy, Good Morning Darling | Mel McDaniel | C Major | 5 | 8B | 104 BPM | ||
The Streets of Baltimore | Bobby Bare | E Major | 4 | 12B | 116 BPM | ||
Lillie's White Lies | Martin Delray | B♭ Major | 5 | 6B | 118 BPM | ||
I Ain't Never | Mel Tillis | D Major | 5 | 10B | 131 BPM |
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