"Clarinet Concerto No.4 in E Minor, WoO 20: II. Larghetto" by Louis Spohr, Thea King, Alun Francis, English Chamber Orchestra was released on January 4, 2010. Clarinet Concerto No.4 in E Minor, WoO 20: II. Larghetto is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Thea King, English Chamber Orchestra, Alun Francis's "Mozart: Clarinet Concerto / Spohr: Clarinet Concerto No. 4" album is number 5 out of 6. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Clarinet Concerto No.4 in E Minor, WoO 20: II. Larghetto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Clarinet Concerto No.4 in E Minor, WoO 20: II. Larghetto by Louis Spohr, Thea King, Alun Francis, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Die letzten Dinge: XVIII. Und siehe, ich komme bald | Louis Spohr, Johanna Winkel, Sophie Harmsen, Andreas Weller, Konstantin Wolff, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | E Major | 2 | 12B | 143 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andante grazioso - Allegro ma no troppo | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | D Major | 1 | 10B | 129 BPM | ||
Faust: Act I: Duet: Ha! Du wahntest, armer Tor (Faust, Mephisto) | Louis Spohr, Boje Skovhus, Franz Hawlata, Robert Swensen, Hillevi Martinpelto, Alfred Reiter, Rodrigo Orrego, Ulrich Wand, Brigitte Wohlfarth, Christoph Spath, Martina Borst, Stuttgart Sudfunkchor, South West German Radio Kaiserslautern Orchestra, Klaus Arp | F Major | 1 | 7B | 76 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
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