"GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: IV. QUEJAS, O LA MAJA Y EL RUISENOR" by Alicia de Larrocha was released on August 22, 1992. GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: IV. QUEJAS, O LA MAJA Y EL RUISENOR is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Alicia de Larrocha's "Goyescas Etc." album is number 4 out of 26. Based on our statistics, GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: IV. QUEJAS, O LA MAJA Y EL RUISENOR's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: IV. QUEJAS, O LA MAJA Y EL RUISENOR by Alicia de Larrocha to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 5 in B-Flat Major. Andantino | John Field, John O'Conor | D Minor | 3 | 7A | 156 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Impresiones intimas: 9. Gitano | Federico Mompou, Alicia de Larrocha | C Major | 1 | 8B | 87 BPM | ||
Albeniz: Tango | Alicia de Larrocha | G Major | 0 | 9B | 76 BPM | ||
6 Kinderstücke op.72: 2. Andante sostenuto, MWV U 170 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 0 | 5B | 105 BPM | ||
Impresiones íntimas: 5. Pájaro triste | Federico Mompou, Alicia de Larrocha | D♭ Minor | 0 | 12A | 72 BPM | ||
Canzona Serenata, Op. 38 No. 6 | Nikolai Medtner, Dmitry Shishkin | F Minor | 0 | 4A | 172 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Dolly, Op.56: 5. Tendresse | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Major | 0 | 3B | 133 BPM | ||
Lieder ohne Worte, Op.38: No. 6. Andante Con Moto In A Flat, MWV U 119 - "Duetto" | Felix Mendelssohn, Daniel Barenboim | A♭ Major | 0 | 4B | 75 BPM |
Section: 0.9097673892974854
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