Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro - Heinrich Ignaz Franz von Biber, Concentus Musicus Wien, Nikolaus Harnoncourt Information

Acousticness: 87%
Danceability: 11%
Energy: 8%
Instrumentalness: 7%
Liveness: 10%
Loudness: 62%
Speechiness: 4%
Valence: 5%
Popularity: 0%
Loudness: -23.052 dB

Summary

"Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro" by Heinrich Ignaz Franz von Biber, Concentus Musicus Wien, Nikolaus Harnoncourt was released on January 1, 1992. With Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Suites & Sonatas". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Germany. Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro BPM

With Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro by Heinrich Ignaz Franz von Biber, Concentus Musicus Wien, Nikolaus Harnoncourt having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Fidicinium sacro-profanum / Sonata 8 In B Flat Major: 1. Allegro Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Allegretto in A Major	Carl Friedrich Abel, Paolo Pandolfo	A♭ Major	0	4B	129 BPM
Trio Sonata in F Major, TWV 42:F6: I. Vivace	Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu	G Major	0	9B	119 BPM
Cello Sonata No. 3 in C Major: III. Amoroso	Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen	D♭ Major	2	3B	120 BPM
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109	Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists	A♭ Major	2	4B	61 BPM
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	2	8B	130 BPM
La Sonnerie de Sainte-Geneviève du mont de Paris	Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel	A♭ Minor	2	1A	119 BPM
Mystery (Rosary) Sonata No. 14, "The Assumption of the Virgin": I. —	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia	D♭ Major	1	3B	99 BPM
Viola da Gamba Suite in D Major: IX. Tempo di minuet	Carl Friedrich Abel, Paolo Pandolfo	D♭ Major	0	3B	79 BPM
Missa Salisburgensis: I. Kyrie	Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh	C Major	1	8B	78 BPM
Overture for Flute and Bassoon in G Major: VII. Air	Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria	F♯ Major	2	2B	131 BPM

ISRC: DEF056502291
Label: L-M Records/RCA Records

Section: 0.6853773593902588

End: 0.6897542476654053