"Symphony No. 1, "The Lord of the Rings": II. Lothlorien (The Elvenwood)" by Johan de Meij, Peabody Conservatory Wind Ensemble, Harlan D. Parker was released on June 4, 2013. Since Symphony No. 1, "The Lord of the Rings": II. Lothlorien (The Elvenwood) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johan de Meij, Peabody Conservatory Wind Ensemble, Harlan D. Parker's "Johan de Meij: The Symphonies" album is number 2 out of 11. Symphony No. 1, "The Lord of the Rings": II. Lothlorien (The Elvenwood) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1, "The Lord of the Rings": II. Lothlorien (The Elvenwood) by Johan de Meij, Peabody Conservatory Wind Ensemble, Harlan D. Parker to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Korean Folk Song | Massachusetts Wind Orchestra | F♯ Major | 1 | 2B | 135 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): V. Floret silva nobilis (The noble forest) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 92 BPM | ||
Symphonic Suite: V. Jubilee | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 3 | 5A | 132 BPM | ||
Black Granite | US Continental Army Band | D♭ Major | 2 | 3B | 113 BPM | ||
Linden Lea (Arr. for Wind Band) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | C Major | 2 | 8B | 65 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: III. Song of the Blacksmith | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | D Minor | 2 | 7A | 103 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IX. In taberna quando sumus (When we are in the tavern) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Major | 2 | 11B | 148 BPM | ||
Cajun Folk Songs: II. Belle | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | C Major | 1 | 8B | 79 BPM | ||
Lincolnshire Posy: I. Lisbon | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | D♭ Major | 1 | 3B | 120 BPM | ||
An Original Suite: III. Finale | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 128 BPM |
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