"Almirena´s Arie ' Lascia, ch´io pianga... ' (Rinaldo)" by Eteri Lamoris was released on August 23, 2006. With this song being about 5 minutes long, at 5:10, "Almirena´s Arie ' Lascia, ch´io pianga... ' (Rinaldo)" by Eteri Lamoris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Virtuosissimo by Eteri Lamoris. The song's track number on the album is #4 out of 15 tracks. Almirena´s Arie ' Lascia, ch´io pianga... ' (Rinaldo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Almirena´s Arie ' Lascia, ch´io pianga... ' (Rinaldo) by Eteri Lamoris has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Almirena´s Arie ' Lascia, ch´io pianga... ' (Rinaldo) being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act 1: "Schläfst du, Gast?...Der Männer Sippe saß hier" | Richard Wagner, Alessandra Marc, Poul Elming, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 117 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 135 BPM | ||
La Damnation de Faust, Op.24: Hungarian March | Hector Berlioz, Herbert von Karajan, Berliner Philharmoniker | A Major | 3 | 11B | 106 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta) | Vincenzo Bellini, Edita Gruberova, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | F Major | 1 | 7B | 115 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Hans Peter Blochwitz, Royal Concertgebouw Orchestra | F Major | 1 | 7B | 114 BPM | ||
Fidelio op.72: Overture | Ludwig van Beethoven, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 5 | 8B | 73 BPM | ||
Boléro | Maurice Ravel, Samo Hubad, RSO Ljubljana | C Major | 1 | 8B | 96 BPM | ||
Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Humoreske No. 7 für Klavier Solo in G-Flat Major, Op. 101 | Květa Novotná | F♯ Major | 0 | 2B | 65 BPM |
Section: 0.8982996940612793
End: 0.9055471420288086