Gaspar Sanz, Andrés Segovia made "Españoleta" available on January 1, 2002. With Españoleta being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 92 in the song's album "Segovia Box". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Españoleta is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Españoleta by Gaspar Sanz, Andrés Segovia having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Passacaille en ré mineur | Robert de Visée, Rolf Lislevand | D♭ Minor | 1 | 12A | 92 BPM | ||
Canarios: Canarios | Giovanni Girolamo Kapsberger, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | ||
Pavana alla venetiana | Joan Ambrosio Dalza, Christopher Wilson | D Major | 1 | 10B | 147 BPM | ||
10 Etudes: I. Etude No. 1: Moderato | Giulio Regondi, John Holmquist | C Major | 2 | 8B | 86 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 3. Allegro gentile | Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin | D Major | 2 | 10B | 175 BPM | ||
La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM | ||
Ceccona | Giovanni Zamboni, Yavor Genov | G Major | 3 | 9B | 121 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM |
Section: 0.5688884258270264
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