"Live and Let Die (arr. C. Egan and A. Vinter)" by Adam Goldsmith, Dave Holmes, Andy Vinter, Ian Thomas, Philharmonia Orchestra was released on January 1, 2013. The duration of Live and Let Die (arr. C. Egan and A. Vinter) is about 3 minutes long, at 3:06. Based on our data, "Live and Let Die (arr. C. Egan and A. Vinter)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 25 in BOND for Orchestra by Carl Davis. The popularity of Live and Let Die (arr. C. Egan and A. Vinter) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Live and Let Die (arr. C. Egan and A. Vinter) by Adam Goldsmith, Dave Holmes, Andy Vinter, Ian Thomas, Philharmonia Orchestra is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Turandot, SC 91 / Act 3: Nessun dorma | Giacomo Puccini, Freddie De Tommaso, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | D Major | 2 | 10B | 71 BPM | ||
Meggie Goes Home | Henry Mancini | C Major | 2 | 8B | 84 BPM | ||
Swan Lake, Op. 20, Act II No. 13: Dance of the Cygnets: IV. Allegro moderato | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | F♯ Minor | 0 | 11A | 111 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 12: No. 17, Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) | Wolfgang Amadeus Mozart, Alfredo Kraus, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
La bohème: Quando men vo (Musetta's Waltz) | Giacomo Puccini, Andre Kostelanetz, New York Philharmonic | A Major | 2 | 11B | 109 BPM | ||
Goldfinger (Arr. C. Egan and a. Vinter) | Andy Pask, Steve Socci, Ian Thomas, Philharmonia Orchestra, Carl Davis | D Major | 4 | 10B | 100 BPM | ||
The Thorn Birds Theme | Royal Philharmonic Pops Orchestra, Henry Mancini | C Major | 2 | 8B | 180 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM |
Section: 0.9432485103607178
End: 0.9470596313476562