Johann Sebastian Bach, Relaxation Study Music made "Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia "Arioso"" available on July 30, 2022. With Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia "Arioso" being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Soft Piano By Bach". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Sweden. Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia "Arioso" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia "Arioso" by Johann Sebastian Bach, Relaxation Study Music having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 2 | 5A | 97 BPM |
Section: 2.8603086471557617
End: 2.865396738052368