"La Boheme : Che gelida manina" by Fabio Armiliato was released on March 14, 2011. With this song being about 5 minutes long, at 5:08, "La Boheme : Che gelida manina" by Fabio Armiliato is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Ten Years On Stage". In this album, this song's track order is #15. Based on our statistics, La Boheme : Che gelida manina's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Boheme : Che gelida manina by Fabio Armiliato having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ti voglio tanto bene: Original Version | Ernesto de Curtis, Fabio Armiliato | D Major | 2 | 10B | 87 BPM | ||
Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | ||
Torna a Surriento | Ernesto de Curtis, Vittorio Grigolo, Pier Giorgio Morandi | D♭ Major | 1 | 3B | 91 BPM | ||
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
Awakenings, Act I, Scene 7: Later that afternoon. Dayroom | Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 81 BPM | ||
Core 'ngrato | Franco Corelli | E♭ Major | 3 | 5B | 89 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
La mia canzone al vento | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 120 BPM |
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