"Variations for Piano, Op.27: 1. Sehr mäßig" by Anton Webern, Ingrid Karlen was released on April 7, 1997. The duration of Variations for Piano, Op.27: 1. Sehr mäßig is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Variations for Piano, Op.27: 1. Sehr mäßig's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Webern, Silvestrov, Boulez:Variations by Ingrid Karlen. The song's track number on the album is #1 out of 18 tracks. In terms of popularity, Variations for Piano, Op.27: 1. Sehr mäßig is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Variations for Piano, Op.27: 1. Sehr mäßig by Anton Webern, Ingrid Karlen has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Variations for Piano, Op.27: 1. Sehr mäßig being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
D'un matin de printemps | Lili Boulanger, Olivier Charlier, Emile Naoumoff | C Major | 2 | 8B | 145 BPM | ||
Ligeti : Requiem : III De die judicii sequentia | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 2 | 3B | 81 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Leocadia, FP 106: Very Calm | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud, Danielle Darrieux, Laurent Lefèvre, Stéphane Logerot, Thibault Vieux | D Major | 1 | 10B | 174 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Piece en forme de habanera (arr. A. Hoeree for violin and orchestra) | Maurice Ravel, Arthur Hoeree, Jennifer Gilbert, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 68 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
5 Pieces for String Quartet: No. 4, Alla tango milonga | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM |
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