Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, Neues Bachisches Collegium Musicum's 'St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat' came out on June 8, 2021. With St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 49 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat by Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, Neues Bachisches Collegium Musicum is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Andrei Gavrilov, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 0 | 11A | 102 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | G Major | 1 | 9B | 122 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM |
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