"5 Lieder, Op. 41: 1. Wiegenlied" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur was released on January 1, 1983. With this song being about 5 minutes long, at 5:09, "5 Lieder, Op. 41: 1. Wiegenlied" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Strauss, R.: Four Last Songs, etc.". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. 5 Lieder, Op. 41: 1. Wiegenlied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Lieder, Op. 41: 1. Wiegenlied by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Matthias Goerne, Alexander Schmalcz | E♭ Major | 2 | 5B | 120 BPM | ||
Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben" (Soprano) | Johann Sebastian Bach, Adele Stolte, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A Minor | 0 | 8A | 95 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich" | Johann Sebastian Bach, Ton Koopman, Kai Wessel, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 94 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | D♭ Major | 2 | 3B | 120 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM |
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