"Fugue pour le concours d'essai, Prix de Rome Competition (1882) (arr. N. Ogawa for piano)" by Noriko Ogawa, Claude Debussy was released on February 7, 2012. With this song being about 5 minutes long, at 5:08, "Fugue pour le concours d'essai, Prix de Rome Competition (1882) (arr. N. Ogawa for piano)" by Noriko Ogawa, Claude Debussy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 101 in Debussy: The Solo Piano Works by Claude Debussy, Noriko Ogawa, Lan Shui. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Fugue pour le concours d'essai, Prix de Rome Competition (1882) (arr. N. Ogawa for piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fugue pour le concours d'essai, Prix de Rome Competition (1882) (arr. N. Ogawa for piano) by Noriko Ogawa, Claude Debussy is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Sonata in E-Flat Major, Op. 167, R. 147: III. Lento | Camille Saint-Saëns, Michael Collins, Noriko Ogawa | D Minor | 0 | 7A | 70 BPM | ||
Danse macabre, Op. 40 (Arr. F. Liszt, V. Horowitz and y. Sudbin for piano) | Camille Saint-Saëns, Yevgeny Sudbin | E♭ Major | 2 | 5B | 90 BPM | ||
Liebesleid | Fritz Kreisler, Sergei Rachmaninoff | A Minor | 0 | 8A | 77 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Prelude in in B Minor, Op. 28, No. 6 | Frédéric Chopin, Vladimir Horowitz | E Major | 0 | 12B | 126 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Nuages gris, S.199 | Franz Liszt, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 72 BPM | ||
2 Arabesques: No. 2 in G Major | Claude Debussy, Noriko Ogawa | E♭ Minor | 2 | 2A | 142 BPM | ||
The Rite of Spring, Pt. 1: Adoration of the Earth - Introduction | Valeria Szervánszky, Ronald Cavaye | E Major | 1 | 12B | 64 BPM |
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