"Orphée et Eurydice: Melodie (Arr. for Piano)" by Christoph Willibald Gluck, Patrick Rapold was released on November 29, 2007. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Patrick Rapold's "La Campanella - Favourite Piano Encores" album is number 4 out of 15. Based on our statistics, Orphée et Eurydice: Melodie (Arr. for Piano)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orphée et Eurydice: Melodie (Arr. for Piano) by Christoph Willibald Gluck, Patrick Rapold to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Three Jamaican Dances: No. 2 | William Chapman Nyaho | E Major | 0 | 12B | 117 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Royer: Premier livre de pièces de clavecin: VI. L'Aimable | Joseph-Nicolas-Pancrace Royer, Alexandre Tharaud | G Minor | 2 | 6A | 121 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM |
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