Erik Satie, Alexandre Tharaud made "Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka" available on January 20, 2009. With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #21. In terms of popularity, Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka by Erik Satie, Alexandre Tharaud having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tendrement - Valse chantée | Erik Satie, Olga Scheps | E♭ Major | 0 | 5B | 70 BPM | ||
Lieder ohne Worte, Op. 102, No. 5 - Instrumental | Felix Mendelssohn, Murray Perahia | F Major | 0 | 7B | 137 BPM | ||
24 Preludes, Op. 34: No. 18 in F Minor. Allegretto | Dmitri Shostakovich, Tatiana Nikolayeva | G Major | 1 | 9B | 63 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
24 Preludes, Op. 11: No. 22 in G Minor | Alexander Scriabin, Evgeny Zarafiants | G Minor | 0 | 6A | 72 BPM | ||
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | D Major | 0 | 10B | 169 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |
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