"Le temps des lilas" by Ernest Chausson, Mischa Maisky, Daria Hovora was released on January 1, 1999. With this song being about 5 minutes long, at 4:46, "Le temps des lilas" by Ernest Chausson, Mischa Maisky, Daria Hovora is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mischa Maisky, Daria Hovora's "Mischa Maisky - Après un rêve" album is number 14 out of 23. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Le temps des lilas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le temps des lilas by Ernest Chausson, Mischa Maisky, Daria Hovora to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Beethoven: Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost": I. Allegro vivace e con brio | Ludwig van Beethoven, Jacqueline du Pré, Pinchas Zukerman, Daniel Barenboim | D Major | 2 | 10B | 144 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19") | Ernest Chausson, Véronique Gens, Susan Manoff | B♭ Major | 1 | 6B | 91 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM | ||
Chausson : Poème de l'amour et de la mer Op.19 : I La fleur des eaux | Ernest Chausson, Jessye Norman, Armin Jordan, Francoise Garcin, Monte-Carlo Philharmonic Orchestra | G Major | 0 | 9B | 88 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM |
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