"Cello Sonata, Op. 8: II. Adagio (con grand espressione)" by Zoltán Kodály, János Starker was released on January 1, 1987. Cello Sonata, Op. 8: II. Adagio (con grand espressione) appears to be safe for all ages as it is not explicit. The track order of this song in Zoltán Kodály, János Starker's "Kodaly, Z.: Cello Sonata / Duo / Bottermund, H.: Variations On A Theme by Paganini" album is number 3 out of 7. On top of that, United States appears to be the country where this track was created. Cello Sonata, Op. 8: II. Adagio (con grand espressione) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata, Op. 8: II. Adagio (con grand espressione) by Zoltán Kodály, János Starker to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pieces, Op. 39: III. Berceuse | Reinhold Glière, Sonia Wieder-Atherton, Raphaël Oleg | G Major | 0 | 9B | 95 BPM | ||
Missa brevis: Kyrie | Zoltán Kodály, Karen Lemaire, Eva Goudie-Falckenbach, Noëlle Schepens, Ivan Goossens, Jan van der Crabben, Peter Thomas, Flemish Radio Choir, Johan Duijck | A Major | 0 | 11B | 78 BPM | ||
Kodály: Missa brevis: V. Sanctus | Zoltán Kodály, Choir of King's College, Cambridge, Stephen Layton, Stephen Cleobury | F♯ Minor | 1 | 11A | 90 BPM | ||
Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | B♭ Major | 0 | 6B | 68 BPM | ||
Double Concerto for 2 Violins, Op. 49: III. Variations on a Ground: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 104 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM |
Section: 0.6748120784759521
End: 0.6791520118713379