- BPM
- 140
- Key
- C Major
- Camelot
- 8B
L'Italiana In Algeri: Sinfonia - Staatskapelle Dresden, Gary Bertini Information
- Acousticness
- 89%
- Danceability
- 41%
- Energy
- 30%
- Instrumentalness
- 80%
- Liveness
- 14%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 31%
- Popularity
- 12%
- Loudness
- -15.523 dB
Summary
Staatskapelle Dresden, Gary Bertini's 'L'Italiana In Algeri: Sinfonia' came out on September 22, 1997. Since L'Italiana In Algeri: Sinfonia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Rossini: L'Italiana In Algeri". In this album, this song's track order is #1. Based on our statistics, L'Italiana In Algeri: Sinfonia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
L'Italiana In Algeri: Sinfonia BPM
With L'Italiana In Algeri: Sinfonia by Staatskapelle Dresden, Gary Bertini having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
L'Italiana In Algeri: Sinfonia Key
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wagner: Rienzi, WWV 49, Act 2 Scene 2: "Ich will denn ein Verräter sein" (Adriano) - No. 7, Finale, "Erschallet Feierklänge!" (Chorus, Rienzi, Baroncelli) | Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden | E Major | 2 | 12B | 72 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | |
 | Clarinet Concerto No. 2 in E flat major Op.74: III: Alla polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Major | 0 | 7B | 93 BPM | |
 | Strauss, R: Also sprach Zarathustra, Op. 30: II. Of Joys and Passions - The Song of the Grave | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | A♭ Major | 4 | 4B | 81 BPM | |
 | Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | |
 | Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" | Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | |
 | Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | |
 | Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | |
 | Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.2029359340667725
End: 1.2066903114318848