"Mercy" by Angèle Dubeau, La Pietà was released on October 6, 2017. With this song being about 5 minutes long, at 5:01, "Mercy" by Angèle Dubeau, La Pietà is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Portrait: Max Richter". In this album, this song's track order is #15. Mercy is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mercy by Angèle Dubeau, La Pietà having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rota / Arr. Capelletti & Lenaerts: Romeo and Juliet: Love Theme | Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic | E♭ Major | 0 | 5B | 125 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Tu mancavi a tormentarmi, crudelissima speranza (arr. L. Stokowski) | Antonio Cesti, Leopold Stokowski, Brussels Philharmonic, Richard Egarr | C Minor | 0 | 5A | 78 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
As Time Passes | Henning Fuchs | A Minor | 1 | 8A | 147 BPM | ||
Nocturne in Tokyo | Remo Anzovino | G Minor | 1 | 6A | 95 BPM | ||
Notre envol, Duo for Piano & Violin | Raphaël Novarina, Anastasiia mazurok, Emiko Edwards | C Minor | 2 | 5A | 173 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 172 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM |
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