"Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio" by Robert Casadesus, Gaby Casadesus, Jean Casadesus, Eugene Ormandy was released on 2001. Since Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "Robert Casadesus plays Mozart - Sony Classical Masters". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio by Robert Casadesus, Gaby Casadesus, Jean Casadesus, Eugene Ormandy having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Robert Casadesus | G Minor | 1 | 6A | 75 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: II. Allegro moderato | Franz Liszt, Robert Casadesus, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 84 BPM | ||
Gnossiennes: No. 7 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 74 BPM | ||
Lieder ohne Worte, Op. 30: No. 2. Allegro di molto in B Flat Minor, MWV U 77 | Felix Mendelssohn, Daniel Barenboim | B♭ Minor | 2 | 3A | 107 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Concerto in F Major for Three Pianos and Orchestra, K. 242: II. Adagio | Robert Casadesus, Gaby Casadesus, Jean Casadesus, Eugene Ormandy | B♭ Major | 1 | 6B | 129 BPM | ||
Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo | Gabriel Fauré, Robert Casadesus, Gaby Casadesus | E Minor | 1 | 9A | 129 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio | Franz Liszt, Nikita Magaloff | E Major | 1 | 12B | 78 BPM | ||
Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM |
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