"Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Aria - Deh Vieni Non Tardar" by Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Jozsef Mukk, Ingrid Kertesi, Maria Pia Ionata, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte was released on January 1, 2000. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Donato Di Stefano's "Mozart: Le Nozze Di Figaro, ‘the Marriage Of Figaro’ (Highlights)" album is number 21 out of 23. Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Aria - Deh Vieni Non Tardar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Aria - Deh Vieni Non Tardar by Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Jozsef Mukk, Ingrid Kertesi, Maria Pia Ionata, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Il fervido desiderio | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 69 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | D Major | 1 | 10B | 132 BPM | ||
Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Kurt Böhme, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 132 BPM | ||
La traviata / Act II: "Pura siccome un angelo" | Giuseppe Verdi, Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 81 BPM | ||
La clemenza di Tito, K. 621 / Act 2: "Ecco il punto, oh Vitellia" - "Non più di fiori" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Peter Schmidl, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
La scala di seta (The Silken Ladder): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | C Major | 1 | 8B | 122 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 2: No. 4, Duetto. "Ah guarda, sorella" (Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Christa Ludwig, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | F Minor | 3 | 4A | 92 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM |
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