On January 1, 2000, the song "Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 3. Allegro" was released by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop. The duration of Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 3. Allegro is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 3. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 25 in Albinoni: Adagio & Concerti by Tomaso Albinoni, Hans-Martin Linde, Hans Elhorst, David Reichenberg, Heinz Holliger, Eduard Kaufmann, Lucerne Festival Strings, Rudolf Baumgartner, The English Concert, Trevor Pinnock, Collegium Musicum Zürich, Paul Sacher, Camerata Bern, Alexander van Wijnkoop. In terms of popularity, Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 3. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 3. Allegro by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes, Strings and Basso Continuo in G Major, Op. 9 No. 6: II. Adagio non troppo | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | E Minor | 2 | 9A | 68 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto for 2 Oboes in D Major, Op. 9 No. 12: II. Adagio | Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini | B Minor | 1 | 10A | 114 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): III. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D♭ Minor | 2 | 12A | 106 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini | C Minor | 0 | 5A | 86 BPM |
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