"In Seven Days: Fugue. v. Creatures of the Sea and Sky" by Thomas Adès, Nicolas Hodges, London Sinfonietta was released on October 18, 2011. The duration of In Seven Days: Fugue. v. Creatures of the Sea and Sky is about 3 minutes long, at 3:05. Based on our data, "In Seven Days: Fugue. v. Creatures of the Sea and Sky" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 9 in Adès: In Seven Days / Nancarrow Studies Nos. 6 & 7 by Thomas Adès, London Sinfonietta. Based on our statistics, In Seven Days: Fugue. v. Creatures of the Sea and Sky's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In Seven Days: Fugue. v. Creatures of the Sea and Sky by Thomas Adès, Nicolas Hodges, London Sinfonietta is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
Three movements from String Quartet No. 2: II | Michael Nyman, Amstel Quartet | B♭ Major | 1 | 6B | 117 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Prélude en Ré b/Des | Lili Boulanger, Antonii Baryshevskyi | A♭ Major | 0 | 4B | 72 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
On an Overgrown Path, Series I: Words Fail! | Leoš Janáček, Thomas Adès | E♭ Minor | 0 | 2A | 112 BPM | ||
Feuille d'images (Version for Orchestra): No. 1. Confidence | Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | A Minor | 0 | 8A | 77 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
2 Irish Pieces: No. 1. From the Countryside | William Alwyn, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
In Seven Days: i. Chaos – Light – Dark | Thomas Adès, Nicolas Hodges, London Sinfonietta | F♯ Major | 1 | 2B | 116 BPM |
Section: 0.780780553817749
End: 0.7891511917114258