- BPM
- 88
- Key
- E Major
- Camelot
- 12B
West Side Story: XIII. Somewhere - Leonard Bernstein, Marilyn Horne, Orchestra Information
- Acousticness
- 95%
- Danceability
- 13%
- Energy
- 8%
- Instrumentalness
- 1%
- Liveness
- 29%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 27%
- Loudness
- -19.747 dB
Summary
"West Side Story: XIII. Somewhere" by Leonard Bernstein, Marilyn Horne, Orchestra was released on January 1, 1985. The duration of West Side Story: XIII. Somewhere is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. West Side Story: XIII. Somewhere's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Bernstein: West Side Story - Highlights by Leonard Bernstein, Leonard Bernstein Orchestra. West Side Story: XIII. Somewhere is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
West Side Story: XIII. Somewhere BPM
The tempo marking of West Side Story: XIII. Somewhere by Leonard Bernstein, Marilyn Horne, Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
West Side Story: XIII. Somewhere Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tannhäuser: Pilgerchor | Chor der Staatsoper Budapest, Orchester der Staatsoper Budapest, Josif Canta | E♭ Major | 2 | 5B | 118 BPM | |
 | Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | |
 | Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | E♭ Major | 0 | 5B | 76 BPM | |
 | Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | |
 | Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | |
 | Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | D♭ Major | 2 | 3B | 80 BPM | |
 | Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM | |
 | Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 174 BPM | |
 | Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7851574420928955
End: 0.788804292678833