Arcangelo Corelli, Purcell Quartet made "Sonata da chiesa a tre in D Major, Op. 3, No. 2: IV. Allegro" available on February 1, 1992. The duration of Sonata da chiesa a tre in D Major, Op. 3, No. 2: IV. Allegro is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sonata da chiesa a tre in D Major, Op. 3, No. 2: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 179 in Corelli: Sonatas for Strings by Arcangelo Corelli, Purcell Quartet. In terms of popularity, Sonata da chiesa a tre in D Major, Op. 3, No. 2: IV. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata da chiesa a tre in D Major, Op. 3, No. 2: IV. Allegro by Arcangelo Corelli, Purcell Quartet is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Sonata a tre No. 7 in C Major, Op. 2: I. Adagio | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM |
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