"Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: II.O vos omnes - Si est dolor - attendite" by Tomás Luis de Victoria, The Sixteen, Harry Christophers was released on 1995. The duration of Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: II.O vos omnes - Si est dolor - attendite is about 3 minutes long, at 3:28. Based on our data, "Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: II.O vos omnes - Si est dolor - attendite" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Victoria Tenebrae responsories by Tomás Luis de Victoria, The Sixteen, Harry Christophers. The song's track number on the album is #14 out of 18 tracks. Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: II.O vos omnes - Si est dolor - attendite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: II.O vos omnes - Si est dolor - attendite by Tomás Luis de Victoria, The Sixteen, Harry Christophers has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: II.O vos omnes - Si est dolor - attendite being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All Night Vigil, Op. 9: No. 18, Bless The Lord, O My Soul | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 127 BPM | ||
Lament and Elegy: Death Hath Deprived Me | Thomas Weelkes, Thomas Tomkins, Vox Luminis, Lionel Meunier | E♭ Minor | 1 | 2A | 98 BPM | ||
O Send Out Thy Light | Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
Taverner: Missa Corona spinea - 06. Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 71 BPM | ||
O coruscans lux stellarum | Hildegard von Bingen, Choir of Clare College, Cambridge, Timothy Brown | G Minor | 0 | 6A | 113 BPM | ||
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM |
Section: 0.6356966495513916
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