"Piazzolla / Transcr. Ducros: Chiquilín de Bachín" by Astor Piazzolla, Lucienne Renaudin Vary was released on February 26, 2021. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Piazzolla Stories". In this album, this song's track order is #6. In terms of popularity, Piazzolla / Transcr. Ducros: Chiquilín de Bachín is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla / Transcr. Ducros: Chiquilín de Bachín by Astor Piazzolla, Lucienne Renaudin Vary having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano & Bass) | George Frideric Handel, PianoBasso | F Major | 0 | 7B | 59 BPM | ||
Oblivion (Arr. String Quartet) | Astor Piazzolla, Carducci String Quartet | C Minor | 2 | 5A | 115 BPM | ||
Asturias | Isaac Albéniz, Aleksander Debicz, Łukasz Kuropaczewski | E Minor | 2 | 9A | 127 BPM | ||
L-O-V-E | Bert Kaempfert, Gautier Capuçon, Jerome Ducros, Lucienne Renaudin Vary, Johanna Malangré, Orchestre national de Bretagne | A♭ Minor | 2 | 1A | 113 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
Piano Concerto No. 21 | Wolfgang Amadeus Mozart, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 3 | 7B | 177 BPM | ||
Danzón No. 2 - Transcr. for piano solo | Arturo Márquez, Simon Ghraichy | D Minor | 1 | 7A | 107 BPM | ||
Galliano / Orch. Galliano: Tango pour Claude | Richard Galliano, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | A Minor | 2 | 8A | 173 BPM | ||
Flambée montalbanaise (Arrangements pour accordéon et quintette à cordes) | Gus Viseur, Félicien Brut, Quatuor Hermès, édouard Macarez | C Minor | 3 | 5A | 69 BPM |
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