- BPM
- 62
- Key
- C Major
- Camelot
- 8B
The Unanswered Question - Charles Ives, New York Philharmonic, Leonard Bernstein Information
- Acousticness
- 11%
- Danceability
- 6%
- Energy
- 1%
- Instrumentalness
- 89%
- Liveness
- 25%
- Loudness
- 40%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -36.028 dB
Summary
"The Unanswered Question" by Charles Ives, New York Philharmonic, Leonard Bernstein was released on January 1, 1990. The Unanswered Question is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 11 out of 11 in Charles Ives: Symphony No.2 by Charles Ives, New York Philharmonic, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Unanswered Question is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Unanswered Question BPM
The tempo marking of The Unanswered Question by Charles Ives, New York Philharmonic, Leonard Bernstein is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The Unanswered Question Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | |
 | Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | |
 | Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | |
 | L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | |
 | String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | D♭ Major | 0 | 3B | 91 BPM | |
 | The Unanswered Question | Charles Ives, Oregon Symphony, Carlos Kalmar | C Major | 0 | 8B | 122 BPM | |
 | Carmen Suite No. 2: Marche des Contrebandiers. Allegro moderato (Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 96 BPM | |
 | Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | E Major | 2 | 12B | 134 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | |
 | Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM |
- ISRC
- DEF058803610
- Label
- L-M Records/RCA Records
Section: 0.7620172500610352
End: 0.765845775604248