Munich Philharmonic Orchestra, Marc Andreae made "Pictures at an Exhibition: No. 7, Le marché de Limoges" available on May 31, 2013. With Pictures at an Exhibition: No. 7, Le marché de Limoges being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Munich Philharmonic Orchestra, Marc Andreae's "Mussorgsky: Pictures at an Exhibition" album is number 5 out of 11. In terms of popularity, Pictures at an Exhibition: No. 7, Le marché de Limoges is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pictures at an Exhibition: No. 7, Le marché de Limoges by Munich Philharmonic Orchestra, Marc Andreae to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: Introduction | Richard Strauss, Munich Philharmonic Orchestra, Christian Thielemann | E Major | 1 | 12B | 94 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Mahler: Kindertotenlieder: III. "Wenn dein Mutterlein" | Gustav Mahler, Sergiu Celibidache, Brigitte Fassbaender, Munich Philharmonic Orchestra | G Major | 1 | 9B | 65 BPM | ||
Meet Her At The Love Parade | Milk & Sugar, Munich Philharmonic Orchestra, Euphonica | G Major | 6 | 9B | 132 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vc. Ronde du Sabbat | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 3 | 5A | 82 BPM | ||
Concierto No. 2 in G Minor, Op. 8, el verano: I. Allegro non molto | Münchner Symphoniker, Wilhem Hertz | G Minor | 3 | 6A | 167 BPM | ||
Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": II. Andante più tosto allegretto | Joseph Haydn, Munich Philharmonic Orchestra, Sergiu Celibidache | D Major | 2 | 10B | 129 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM |
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