"Stimmungsbilder, Op. 9, TrV 128: No. 4, Träumerei" by Richard Strauss, John O'Conor was released on November 21, 2023. The duration of Stimmungsbilder, Op. 9, TrV 128: No. 4, Träumerei is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Stimmungsbilder, Op. 9, TrV 128: No. 4, Träumerei's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winter Classical by Various Artists. The song's track number on the album is #17 out of 91 tracks. Based on our data, United States was the country where this track was produced or recorded. Stimmungsbilder, Op. 9, TrV 128: No. 4, Träumerei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stimmungsbilder, Op. 9, TrV 128: No. 4, Träumerei by Richard Strauss, John O'Conor has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stimmungsbilder, Op. 9, TrV 128: No. 4, Träumerei being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
|Schoenberg: Verklärte Nacht, Op. 4: I. Grave||Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston||D Minor||1||7A||174 BPM|
|Brook Green Suite: I. Prelude||Gustav Holst, English Sinfonia, Howard Griffiths||F Major||2||7B||123 BPM|
|Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando||Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit||F Major||1||7B||111 BPM|
|Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)||Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein||B♭ Major||0||6B||82 BPM|
|Symphonie fantastique, Op. 14: II. Un bal||Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding||A Major||1||11B||107 BPM|
|The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)||Igor Stravinsky, Teodor Currentzis, musicAeterna||D Minor||5||7A||136 BPM|
|Pini di Roma, P. 141: I. I pini di Villa Borghese||Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta||D♭ Minor||1||12A||130 BPM|
|Salome, Op. 54 / Scene 4: "Siehe, der Tah ist nahe"||Richard Strauss, Leonie Rysanek, Horst Hiestermann, Uwe Peper, Ralf Lukas, Bryn Terfel, Friedrich Molsberger, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli||E Major||1||12B||132 BPM|
|Symphony No. 2: II. Allegro molto||Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra||F Major||1||7B||146 BPM|
|Also sprach Zarathustra, Op. 30, TrV 176: 1. Einleitung (Sonnenaufgang) - Live||Richard Strauss, Lucerne Festival Orchestra, Riccardo Chailly||C Major||2||8B||145 BPM|