"Concerto a 5 in C, Op.7, No.12 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop was released on January 1, 2000. The duration of Concerto a 5 in C, Op.7, No.12 for Oboe, Strings and Continuo: 2. Adagio is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Concerto a 5 in C, Op.7, No.12 for Oboe, Strings and Continuo: 2. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 25 in Albinoni: Adagio & Concerti by Tomaso Albinoni, Hans-Martin Linde, Hans Elhorst, David Reichenberg, Heinz Holliger, Eduard Kaufmann, Lucerne Festival Strings, Rudolf Baumgartner, The English Concert, Trevor Pinnock, Collegium Musicum Zürich, Paul Sacher, Camerata Bern, Alexander van Wijnkoop. Concerto a 5 in C, Op.7, No.12 for Oboe, Strings and Continuo: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 in C, Op.7, No.12 for Oboe, Strings and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | D Major | 0 | 10B | 76 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM |
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