Anonymous, Jean-Guihen Queyras's 'Les Regrets (Arr. for Solo Cello by Jean-Guihen Queyras)' came out on January 27, 2023. The duration of Les Regrets (Arr. for Solo Cello by Jean-Guihen Queyras) is about 3 minutes long, at 3:24. Based on our data, "Les Regrets (Arr. for Solo Cello by Jean-Guihen Queyras)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud's "Marin Marais: Folies d'Espagne, La Rêveuse & Other Works" album is number 11 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Les Regrets (Arr. for Solo Cello by Jean-Guihen Queyras)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Les Regrets (Arr. for Solo Cello by Jean-Guihen Queyras) by Anonymous, Jean-Guihen Queyras to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puer qui natus est nobis - Introitus/In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | G Major | 0 | 9B | 87 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM | ||
Defte Lai / Дефте лаи | Divna Ljubojevic | F Minor | 1 | 4A | 127 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Jubilus rhythmicus de nomini Jesu (2) | Officium Ensemble, Unknown Artist, Wilfried Rombach | B♭ Major | 2 | 6B | 136 BPM | ||
Hymnus, Ave Maria | Choir of Beirut | C Major | 0 | 8B | 125 BPM | ||
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
La Messe: Credo V | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A♭ Major | 0 | 4B | 78 BPM | ||
O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM |
Section: 0.6861743927001953
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