"Pelléas et Mélisande Suite, Op. 80: III. Sicilienne" by Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra was released on November 21, 2023. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Winter Classical by Various Artists. The song's track number on the album is #37 out of 91 tracks. Based on our data, United States was the country where this track was produced or recorded. Pelléas et Mélisande Suite, Op. 80: III. Sicilienne is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pelléas et Mélisande Suite, Op. 80: III. Sicilienne by Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pelléas et Mélisande Suite, Op. 80: III. Sicilienne being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
|Berceuse, Op. 16||Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis||D Major||0||10B||75 BPM|
|Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)||Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog||B Minor||1||10A||87 BPM|
|Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)||Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman||E♭ Major||1||5B||170 BPM|
|Humoresque No. 7 in G-flat Major, Op. 101||Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman||F♯ Major||1||2B||83 BPM|
|Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]||Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski||E Major||2||12B||123 BPM|
|String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile||Franz Joseph Haydn, Kodály Quartet||G Major||0||9B||106 BPM|
|Berceuse in D Flat Major, Op. 57||Frédéric Chopin, Hélène Grimaud||D♭ Major||1||3B||90 BPM|
|6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]||Franz Liszt, Joseph Banowetz||G Minor||0||6A||96 BPM|
|Variations On An Original Theme, Op.36 "Enigma": Theme (Andante)||Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein||G Minor||0||6A||113 BPM|
|Morgen, Op. 27 No. 4 (Arr. Reger for Piano)||Richard Strauss, Angela Hewitt||A Major||2||11B||143 BPM|