"Romeo & Juliet: Act I, Scene XIII, Dance of the Knights" by Sergei Prokofiev, Valery Gergiev, London Symphony Orchestra was released on January 12, 2010. With this song being about 5 minutes long, at 5:11, "Romeo & Juliet: Act I, Scene XIII, Dance of the Knights" by Sergei Prokofiev, Valery Gergiev, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 52 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Romeo & Juliet: Act I, Scene XIII, Dance of the Knights is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo & Juliet: Act I, Scene XIII, Dance of the Knights by Sergei Prokofiev, Valery Gergiev, London Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Stephen Kovacevich | G Major | 9 | 9B | 133 BPM | ||
Departures | Joe Hisaishi, London Symphony Orchestra | G Major | 1 | 9B | 124 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | E Major | 0 | 12B | 106 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | D♭ Minor | 2 | 12A | 93 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Music for the Royal Fireworks: La Réjouissance | George Frideric Handel, Scottish Chamber Orchestra | D Major | 3 | 10B | 123 BPM | ||
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM |
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