"Music to Rosamunde, D. 797 (Op. 26): V. Ballet Music No. 2 - Andantino" by Hermitage Museum Orchestra was released on August 12, 2008. Since Music to Rosamunde, D. 797 (Op. 26): V. Ballet Music No. 2 - Andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Music for All Seasons - Classics throughout the Year" album is number 5 out of 11. In terms of popularity, Music to Rosamunde, D. 797 (Op. 26): V. Ballet Music No. 2 - Andantino is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Music to Rosamunde, D. 797 (Op. 26): V. Ballet Music No. 2 - Andantino by Hermitage Museum Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 1 | 5B | 157 BPM | ||
Violin Concerto In D Minor, Op.47: 2. Adagio di molto | Jean Sibelius, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | B♭ Major | 1 | 6B | 89 BPM | ||
Rondino on a Theme by Beethoven | Fritz Kreisler, Joshua Bell, Paul Coker | E♭ Major | 1 | 5B | 152 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM | ||
Water Music Suite / Water Music Suite in F Major, BWV 348: Air | George Frideric Handel, Stuttgart Chamber Orchestra, Karl Münchinger | D♭ Major | 2 | 3B | 169 BPM | ||
Humoreske No. 7 für Klavier Solo in G-Flat Major, Op. 101 | Květa Novotná | F♯ Major | 0 | 2B | 65 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand): IV. Farandole | Georges Bizet, Berlin Rundfunk Symphonie Orchester, Heinz Rögner | D Major | 5 | 10B | 147 BPM | ||
L'Arlésienne Suite No. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I | Georges Bizet, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 133 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: III. Allegretto | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | C Minor | 2 | 5A | 83 BPM |
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