"Concierto de Aranjuez: II. Adagio" by Joaquín Rodrigo, Julian Bream, John Eliot Gardiner was released on 1984. Concierto de Aranjuez: II. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Joaquín Rodrigo, Julian Bream, John Eliot Gardiner's "Music of Spain, Vol. 8" album is number 2 out of 7. On top of that, United States appears to be the country where this track was created. Concierto de Aranjuez: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concierto de Aranjuez: II. Adagio by Joaquín Rodrigo, Julian Bream, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ketèlbey: In a Persian Market (Intermezzo-Scene) | Albert Ketèlbey, John Lanchbery, Ambrosian Singers, Philharmonia Orchestra | F Major | 2 | 7B | 127 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
L'Elisir d'Amore: Una furtiva lagrima (Arranged for Violin & Orchestra) | Gaetano Donizetti, Joshua Bell, Michael Stern, Orchestra of St. Luke's | B♭ Major | 1 | 6B | 81 BPM | ||
Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
Suite bergamasque: III. Clair de lune (arr. A. Reed): Clair de lune | Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark | D♭ Major | 1 | 3B | 81 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Eckart Runge, Cuarteto Casals | C Major | 1 | 8B | 103 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | E Major | 1 | 12B | 65 BPM | ||
Concert Grosso for String Orchestra "Palladio": Allegretto | Karl Jenkins, Ara Malikian | D Minor | 4 | 7A | 88 BPM |
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