"Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b" by Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon was released on November 15, 2000. Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 2 out of 10 in Berlioz: Les Nuits d'été by Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon. Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b by Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | F Major | 2 | 7B | 168 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Errante sur tes pas" (Didon, Énée, Chorus) | Hector Berlioz, John Nelson, Joyce DiDonato, Michael Spyres, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 104 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 4: "Dites, Narbal, qui cause vos alarmes ?" (Anna, Narbal) | Hector Berlioz, John Nelson, Hanna Hipp, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 82 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
La Mort de Sardanapale | Hector Berlioz, Daniel Galvez-Vallejo, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 75 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM |
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