- BPM
- 106
- Key
- B Minor
- Camelot
- 10A
Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information
- Acousticness
- 40%
- Danceability
- 70%
- Energy
- 27%
- Instrumentalness
- 0%
- Liveness
- 40%
- Loudness
- 61%
- Speechiness
- 92%
- Valence
- 62%
- Popularity
- 0%
- Loudness
- -23.135 dB
Summary
David Allen, Jürgen Kalwa made "Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:07. Based on our data, "Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 7 out of 194. In terms of popularity, Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM
We consider the tempo marking of Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
Kapitel 7 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | |
 | Così fan tutte, K.588, Act II: Recitativo. "Ei parte..senti..ah no!" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | |
 | La forza del destino, Act IV, Scene I: Giunge qualcun; aprite | Giuseppe Verdi, Riccardo Zanellato, Simone Piazzola, Carlo Lepore, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | |
 | Der fliegende Holländer, WWV 63 / Act 3: "Willst jenen Tag du nicht dich mehr entsinnen" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | |
 | Tosca / Act 2: "Vedi, le man giunte" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Piero de Palma, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | |
 | Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Dieux ! Le malheur en tous lieux suit mes pas" - "De noirs pressentiments" (Thoas, Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Louis Quilico, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 4 | 10A | 114 BPM | |
 | Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus) | Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Philharmonia Orchestra, Roberta Benaglio, Tito Gobbi | G Major | 3 | 9B | 116 BPM | |
 | Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 3 | 9B | 75 BPM | |
 | La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7393598556518555
End: 0.7434473037719727