"Quatre Motets: Ubi Caritas" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow was released on 1989. The duration of Quatre Motets: Ubi Caritas is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Quatre Motets: Ubi Caritas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. In terms of popularity, Quatre Motets: Ubi Caritas is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Motets: Ubi Caritas by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre Motets: Tu es Petrus | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow | A♭ Major | 2 | 4B | 83 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives | F Major | 1 | 7B | 119 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
The House of the Mind | Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge, Jonathan Lee | D Major | 2 | 10B | 100 BPM | ||
Come to Me | Ivo Antognini, Stephen Layton, The Choir Of Trinity College, Cambridge | F Major | 1 | 7B | 76 BPM | ||
Gloria, FP 177: IV. Domini Fili unigenite | Francis Poulenc, The Choir Of Trinity College, Cambridge, Stephen Layton, Polyphony, Britten Sinfonia | G Major | 3 | 9B | 114 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM |
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