"Candide: "Glitter and be gay"" by Leonard Bernstein, Richard Wilbur, Renée Fleming, Metropolitan Opera Orchestra, James Levine was released on January 1, 1998. Candide: "Glitter and be gay" is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Renée Fleming - I Want Magic! - American Opera Arias". In this album, this song's track order is #6. Candide: "Glitter and be gay" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Candide: "Glitter and be gay" by Leonard Bernstein, Richard Wilbur, Renée Fleming, Metropolitan Opera Orchestra, James Levine having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
A Quiet Place, Act II: Yes? Oh, Mr. Partridge! (From Trouble in Tahiti) - Live | Leonard Bernstein, Louise Edeiken, Mark Thomsen, Edward Crafts, Kurt Ollmann, Vienna Radio Symphony Orchestra | E Minor | 2 | 9A | 154 BPM | ||
Mass: IX. Gospel-Sermon: "God Said" - Live | Leonard Bernstein, Timothy McDevitt, Zachary James, Julia Burrows, J.D. Webster, Lyn Philistine, Benjamin Krumreig, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | C Minor | 3 | 5A | 147 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 60 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Symphony No. 1 in D Major "Titan": Ic. Sehr gemächlich | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Minor | 0 | 8A | 168 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM |
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