Paul Hindemith, Trio Brax's 'Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch' came out on March 24, 2023. With Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Trio Brax". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Norway. In terms of popularity, Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch by Paul Hindemith, Trio Brax having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, ballet, M. 62: 5. Laideronnette, Impératrice des pagodes.Mouvement de marche - Allegro - Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A♭ Minor | 0 | 1A | 116 BPM | ||
Concerto for Viola "Der Schwanendreher": I. Zwischen Berg und tiefem Tal | Paul Hindemith, Antoine Tamestit | D♭ Major | 1 | 3B | 60 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
Symphony No. 4, Op. 29 "The Inextinguishable": I. Allegro | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A Major | 2 | 11B | 82 BPM | ||
Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM | ||
Symphonie "Mathis der Maler": I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 0 | 5B | 98 BPM | ||
Pacific 231 | Arthur Honegger, Neeme Järvi, Danish National Symphony Orchestra | B♭ Minor | 3 | 3A | 130 BPM |
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