Tal Farlow's 'Autumn Leaves' came out on January 1, 1955. With Autumn Leaves being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "The Interpretations Of Tal Farlow". In this album, this song's track order is #6. In terms of popularity, Autumn Leaves is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Autumn Leaves by Tal Farlow having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
Que rest t-il de nos amours | Charles Trenet, Die 12 Cellisten der Berliner Philharmoniker | C Major | 1 | 8B | 177 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Comme d’habitude | Claude François, Jacques Revaux, Gautier Capuçon, Jerome Ducros, Johanna Malangré, Orchestre national de Bretagne | A♭ Minor | 2 | 1A | 113 BPM | ||
Soli | Nicola Piovani | C Major | 1 | 8B | 109 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Khatia Buniatishvili | F Major | 0 | 7B | 77 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |
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