On April 26, 2019, the song "Scaramouche Suite, Op. 165c: 3. Brazileira" was released by Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca. The duration of Scaramouche Suite, Op. 165c: 3. Brazileira is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Scaramouche Suite, Op. 165c: 3. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rise". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Scaramouche Suite, Op. 165c: 3. Brazileira is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Scaramouche Suite, Op. 165c: 3. Brazileira by Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 73 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
Play Piano Play "10 Pieces for Yuko": No. 6, Presto possibile | Friedrich Gulda, Martin David Jones | C Minor | 2 | 5A | 144 BPM | ||
Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) | Traditional, Sheku Kanneh-Mason, Isata Kanneh-Mason, Braimah Kanneh-Mason | E Major | 1 | 12B | 86 BPM | ||
Scaramouche, Suite for 2 Pianos: 2. Modéré | Darius Milhaud, Katia Labèque, Marielle Labèque | B♭ Major | 0 | 6B | 72 BPM | ||
Humoresque (Arr. Koncz) | Philharmonix | D Minor | 1 | 7A | 73 BPM |
Section: 0.5813314914703369
End: 0.5866637229919434