"Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio" by London Harpsichord Ensemble, Sarah Francis was released on November 25, 2013. The duration of Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 24 in Albinoni Oboe Concertos by London Harpsichord Ensemble, Sarah Francis. Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio by London Harpsichord Ensemble, Sarah Francis is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM | ||
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | London Harpsichord Ensemble, Sarah Francis | B♭ Major | 1 | 6B | 77 BPM | ||
Oboe Sonata: III. Allegro (quasi valse tempo) | William Alwyn, Sarah Francis, Sophia Rahman | F Major | 1 | 7B | 57 BPM | ||
Symphony No.1 in B flat Major: 2. Moderato e dolce | William Boyce, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 88 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | A Minor | 1 | 8A | 116 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
6 Metamorphoses After Ovid, Op. 49: I. Pan, Who Played upon the Reed Pipe Which Was Syrinx, His Beloved | Benjamin Britten, Sarah Francis | F♯ Minor | 0 | 11A | 81 BPM | ||
Premiere Suite de Symphonies: Rondeau | Jean-Joseph Mouret, Richard Kapp, Philharmonia Virtuosi of New York, Philharmonia Virtuosi | D Major | 4 | 10B | 81 BPM | ||
Oboe Quartet in B-Flat Major, Op. 7 No. 2: II. Cantabile | Johann Baptist Vanhal, Tagore String Trio, Sarah Francis | C Major | 2 | 8B | 122 BPM |
Section: 0.7275998592376709
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