Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido)
Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée
Purcell: Dido and Aeneas
3:50 2003
BPM
88
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) - Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée Information

Acousticness
98%
Danceability
23%
Energy
9%
Instrumentalness
28%
Liveness
13%
Loudness
66%
Speechiness
5%
Valence
4%
Popularity
Loudness
-20.523 dB

Summary

"Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido)" by Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée was released on 2003. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #35. Furthermore, we believe that the track originated from United Kingdom. Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) BPM

With Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) by Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) by Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian RuudPeer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song)Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian RuudE♭ Major15B153 BPM
Rückert-Lieder: Ich bin der Welt abhanden gekommen by Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre BoulezRückert-Lieder: Ich bin der Welt abhanden gekommenGustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre BoulezF Major07B169 BPM
Requiem in D Minor, K. 626: I. Introitus: Requiem by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus WienRequiem in D Minor, K. 626: I. Introitus: RequiemWolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus WienD Minor17A82 BPM
Petite messe solennelle: Kyrie by Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio DantonePetite messe solennelle: KyrieGioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio DantoneC Major08B120 BPM
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea)Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina PluharG Major19B77 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": 1. Adagio sostenutoLudwig van Beethoven, Vladimir AshkenazyD♭ Minor012A168 BPM
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) by Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic OrchestraStrauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra)Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic OrchestraG Major09B178 BPM
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempreKaroly BotvayD♭ Minor012A88 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo by Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerViola Concerto in G Major, TWV 51:G9: I. LargoGeorg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerG Major19B144 BPM
Monteverdi: Sì dolce è'l tormento, SV 332 by Claudio Monteverdi, Christina Pluhar, Philippe JarousskyMonteverdi: Sì dolce è'l tormento, SV 332Claudio Monteverdi, Christina Pluhar, Philippe JarousskyG Major09B134 BPM
ISRC
GBAYC0302123
Label
L-M Records/RCA Records

Section: 0.6822209358215332

End: 0.6859626770019531